Opeth’s “The Last Will And Testament”: A Dark and Heavy Masterpiece

In a recent interview with Australia’s Heavy, Opeth guitarist Fredrik Åkesson delved into the musical direction of their upcoming fourteenth studio album, “The Last Will And Testament,” set for release on November 22nd via Reigning Phoenix Music/Moderbolaget.

Åkesson described the album as a dynamic blend of Opeth’s classic sound and their more progressive recent work, with a “restless, compressed” approach. “The songs are slightly shorter,” he explained, “but packed with more ingredients than ever before. It reflects modern society, even though the album’s theme is set in the 1920s.”

He contrasted this with their earlier work, saying, “Take ‘Blackwater Park’ (2001). Certain sections were drawn out considerably. This album’s different – it’s action-packed! It still retains Opeth’s signature ‘yin-and-yang’ dynamic, with heavy sections juxtaposed by beautiful, melancholic, and almost foresty soundscapes.”

Regarding the press release describing “The Last Will And Testament” as Opeth’s “darkest and heaviest record” in decades, Åkesson expressed enthusiasm. “I love that,” he said. “It’s definitely dark – that was a key goal. But it’s also beautifully dark at times. Beauty can be dark as well, you know? It’s quite evil-sounding, and we dig that.”

“I have become quite interested in family, and the idea that blood is not always thicker than water,” Mikael Åkerfeldt explains. “I became interested in how family members can turn on each other. I saw an interview with this guy whose family had all turned against him, over the inheritance, so I wrote a song about that on the last record. The idea stuck with me, and then along came the TV show Succession, and I loved that series. That was in the back of my head too. It felt like an interesting topic that you could twist and turn a little bit.”

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